苏振宏;

• 1:中央民族大学哲学与宗教学学院

摘要：

道教文学是一个体例与内容都十分宽泛的学术概念,它以道教活动为本原,以与道教思想、精神或信仰等相关内容为题材,通过多样文学体裁和多元创作方式塑造形象、创造意境和追求审美以反映道教文化之种种。用纵向的历史眼光来看待——道教文学——作为互为背景的道教文化与文学艺术结合之典型代表,这独特的文学类型的发展过程是与中国道教文化以及文学艺术的发展演进相同步的。

关键词： 道教;文学;创造性;想象力

Abstract: Taoist literature is a special academic concept with broad style and content,which is related to Taoist activities as well as Taoist ideas,spirit and faith.It reflects the various Taoist Cultures by way of variety of literary genres and the multi-way creation.As far as the historical development of Taoist literature was concerned,the process of its evolution is synchronous with the evolution of Chinese Taoist culture and traditional literature.Therefore,as a typical example for the combination of Taoism and literature,Taoist literature can exemplify both the spirit of Taoism and the arts of literature.

Keywords: Taoism;literature;creativity;imagination

基金项目:

通讯作者:

Email:

参考文献：

• [1]周群.宗教与文学[M].1版.南京:译林出版社,2009:3.
• [2]詹石窗.道教文学史[M].上海:上海文艺出版社,1992:3-4,6-7,34,183-184,188,193,199,218.
• [3]卿希泰.道教与中国传统文化[M].福州:福建人民出版社,1990:222,224,228,231.
• [4]袁珂.山海经校注[M].成都:巴蜀书社,1993:381,416.
• [5]宗白华.美学散步[M].上海:上海人民出版社,1981:77.
• [6]蒋振华.唐宋道教文学思想史[M].1版.长沙:岳麓书社,2009:158.